G.J Minett studied Languages at Churchill College, Cambridge before teaching in Gloucestershire and West Sussex. In 2008 he finished a part-time MA in Creative Writing at the University of Chichester. He wrote the first chapter of The Hidden Legacy as part of his course and the piece subsequently won both the inaugural Segora Short Story Competition in 2008 and the Chapter One Competition in 2010. The prize for the latter involved a chance to work editor Baden Prince Jr to finish the novel. Graham is currently working on his second novel, The Goose Drank Wine.
He lives with his wife and children and still works at Angmering School in West Sussex. @GJMinett
An MA in Creative Writing is no guarantee of success and may not suit everyone but I have no hesitation in saying it was the right decision for me. I started the course at the University of Chichester because, after years of submitting short stories and novels to agents and publishers without making a breakthrough, I knew it was time I tried something different. It wasn’t an easy decision – for one thing even a part-time MA over two years isn’t a cheap option and I was also having to combine it with a full-time job which made significant demands on my time out of hours. There didn’t seem much point though in treading the same weary path as before. I wasn’t beating down any doors. To be honest, I wasn’t sure I was even leaving a scratch.
If I had to name three things that the MA taught me that made the crucial difference, I’d go for the following:
- It taught me (in the nicest way possible) that I wasn’t quite as accomplished as I thought I was. Whatever talent I might have, I was a good way short of the finished article.
- It taught me the importance of discipline. We students came from a variety of backgrounds but the one thing we all had in common was that during those three-hour sessions at the university each week, we were writers – not teachers or policewomen or artists who did a bit of writing but writers. We had deadlines to meet – if we missed them we let down not only ourselves but others in the group as well, so we did not miss them.
- The short stories I had to complete for assignments all had the benefit of professional input from the tutors and excellent suggestions from fellow students which meant that the finished pieces were polished to within an inch of their lives. This gave me a body of work which I could send out to competitions with some prospect of success. And once that started to happen, I then had a CV that might persuade a busy agent or publisher to take a closer look at what I’d sent.
The submission which won the Chapter One competition were produced on the MA course and now form the prologue and opening section of my debut novel, The Hidden Legacy.
Coincidence? I don’t think so.
1966. A horrifying crime at a secondary school, with devastating consequences for all involved.
2008. A life-changing gift, if only the recipient can work out why . . .
Recently divorced and with two young children, Ellen Sutherland is up to her elbows in professional and personal stress. When she's invited to travel all the way to Cheltenham to hear the content of an old woman's will, she's far from convinced the journey will be worthwhile.
But when she arrives, the news is astounding. Eudora Nash has left Ellen a beautiful cottage worth an amount of money that could turn her life around. There's just one problem - Ellen has never even heard of Eudora Nash.
Her curiosity piqued, Ellen and her friend Kate travel to the West Country in search of answers. But they are not the only ones interested in the cottage, and Ellen little imagines how much she has to learn about her past...