This morning it is my pleasure to do a spotlight feature for author Laura Madeleine as part of the blog tour for her debut novel
The Confectioner's Tale which was published last week.
After a childhood spent acting professionally and training at a theatre school, Laura Madeleine changed her mind, and went to study English Literature at Newnham College, Cambridge. She now writes fiction, as well as recipes, and was formerly the resident cake baker for Domestic Sluttery.
She lives in Bristol, but can often be found visiting her family in Devon, eating cheese and getting up to mischief with her sister, fantasy author Lucy Hounsom. You can find her on Twitter @esthercrumpet.
At the famous Patisserie Clermont in Paris, 1909, a chance encounter with the owner’s daughter has given one young man a glimpse into a life he never knew existed: of sweet cream and melted chocolate, golden caramel and powdered sugar, of pastry light as air.
But it is not just the art of confectionery that holds him captive, and soon a forbidden love affair begins.
Almost eighty years later, an academic discovers a hidden photograph of her grandfather as a young man with two people she has never seen before. Scrawled on the back of the picture are the words ‘Forgive me’. Unable to resist the mystery behind it, she begins to unravel the story of two star-crossed lovers and one irrevocable betrayal.
Can you tell us a little bit about your debut novel The Confectioner’s Tale?
I started writing The Confectioner’s Tale about four years ago, after a whirlwind summer holiday driving around France. I was in Saint-Émilion when I discovered canelés: little French custard pastries. They have a fascinating, three hundred year history of fiercely guarded recipes, rivalry and craftsmanship. My interest in the art of patisserie started there. It’s also one of the reasons that Gui’s home is in Bordeaux.
What inspired you to set your debut novel in Paris?
Paris during the Belle Époque represents the absolute height of our romantic ideals: decadence, glamour, abundance and artistry, but it was also a world on the brink of collapse. The weight of that wealth and luxury was never going to be able to sustain itself. The city was also a place of poverty and disillusionment for the vast majority of people. The era was like a beautiful, dying, glittering creature. It was an irresistible setting.
What are your favourite confections to create?
I love making cakes. My real passion is for flavours, scents and textures. Unlike the chefs at Patisserie Clermont, I’m not very good at fiddly sugar work or decoration. I enjoy working with flavours that trigger memory or emotion; freshly-picked blackberries and hazelnuts in autumn, orange blossom in spring, ripe peaches and vanilla in summer, sloe gin, treacle, ginger and cinnamon for winter...