Showing posts with label Dinah Jefferies. Show all posts
Showing posts with label Dinah Jefferies. Show all posts

Tuesday, 20 September 2022

Emma's Review: The Hidden Place by Dinah Jefferies

Reviewed by Emma Crowley

A rebellious daughter 
1925. Among the ancient honey-coloured walls of the tiny island of Malta, strangers slip into the shadows and anyone can buy a new name. Rosalie Delacroix flees Paris for a dancer’s job in the bohemian clubs deep in its winding streets.

A sister with a secret 
1944. Running from the brutality of war in France, Florence Baudin faces a new life. But her estranged mother makes a desperate request: to find her vanished sister, who went missing years before. 

A rift over generations 
Betrayals and secrets, lies and silence hang between the sisters. A faded last letter from Rosalie is Florence’s only clue, the war an immovable barrier – and time is running out…

Book Links: Kindle or Paperback

Monday, 15 August 2022

Emma's Review: Daughters of War by Dinah Jefferies

Reviewed by Emma Crowley  

France, 1944.

Deep in the river valley of the Dordogne, in an old stone cottage on the edge of a beautiful village, three sisters long for the end of the war.

Hélène, the eldest, is trying her hardest to steer her family to safety, even as the Nazi occupation becomes more threatening.

Elise, the rebel, is determined to help the Resistance, whatever the cost.

And Florence, the dreamer, just yearns for a world where France is free.

Then, one dark night, the Allies come knocking for help. And Hélène knows that she cannot sit on the sidelines any longer. But secrets from their own mysterious past threaten to unravel everything they hold most dear…

Book Links: Kindle or Paperback

Saturday, 25 July 2020

Emma's Review: The Tuscan Contessa by Dinah Jefferies

Reviewed by Emma Crowley

In 1943, Contessa Sofia de' Corsi's peaceful Tuscan villa among the olive groves is upturned by the sudden arrival of German soldiers. Desperate to fight back, she agrees to shelter a wounded British radio engineer in her home, keeping him hidden from her husband Lorenzo - knowing that she is putting all of their lives at risk.

When Maxine, an Italian-American working for the resistance, arrives on Sofia's doorstep, the pair forge an uneasy alliance. Feisty, independent Maxine promised herself never to fall in love. But when she meets a handsome partisan named Marco, she realizes it's a promise she can't keep...

Before long, the two women find themselves entangled in a dangerous game with the Nazis. Will they be discovered? And will they both be able to save the ones they love?

Amazon Links: Kindle or Paperback

Friday, 5 April 2019

Emma's Review: The Missing Sister by Dinah Jefferies

Reviewed by Emma Crowley

Belle Hatton has embarked upon an exciting new life far from home: a glamorous job as a nightclub singer in 1930s Burma, with a host of sophisticated new friends and admirers. But Belle is haunted by a mystery from the past - a 25 year old newspaper clipping found in her parents' belongings after their death, saying that the Hattons were leaving Rangoon after the disappearance of their baby daughter, Elvira.

Belle is desperate to find out what happened to the sister she never knew she had - but when she starts asking questions, she is confronted with unsettling rumours, malicious gossip, and outright threats. Oliver, an attractive, easy-going American journalist, promises to help her, but an anonymous note tells her not to trust those closest to her. . .

Belle survives riots, intruders, and bomb attacks - but nothing will stop her in her mission to uncover the truth. Can she trust her growing feelings for Oliver? Is her sister really dead? And could there be a chance Belle might find her?

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Saturday, 7 April 2018

Emma's Review: The Sapphire Widow by Dinah Jefferies

Reviewed by Emma Crowley

Ceylon, 1935. Louisa Reeve, the daughter of a successful British gem trader, and her husband Elliot, a charming, thrill-seeking businessman, seem like the couple who have it all. Except what they long for more than anything: a child.

While Louisa struggles with miscarriages, Elliot is increasingly absent, spending much of his time at a nearby cinnamon plantation, overlooking the Indian ocean. After his sudden death, Louisa is left alone to solve the mystery he left behind. Revisiting the plantation at Cinnamon Hills, she finds herself unexpectedly drawn towards the owner Leo, a rugged outdoors man with a chequered past. The plantation casts a spell, but all is not as it seems. And when Elliot's shocking betrayal is revealed, Louisa has only Leo to turn to...

Amazon Affiliate Links: Kindle or Paperback

Tuesday, 28 March 2017

Emma's Review: Before the Rains by Dinah Jefferies

Reviewed by Emma Crowley

1930, Rajputana, India. Since her husband's death, 28-year-old photojournalist Eliza's only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she's determined to make a name for herself.

But when Eliza arrives at the palace she meets Jay, the Prince's handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families - and society - think otherwise. Eventually they will have to make a choice between doing what's expected, or following their hearts. . .

Amazon links: Kindle or Hardcover

Thursday, 23 February 2017

Extract from Before the Rains by Dinah Jefferies

Today is publication day for Dinah Jefferies' latest novel Before the Rains and it's my absolute pleasure to be able to share with you chapter 1 to whet your appetites for what promises to be another fantastic read.  

1930, Rajputana, India. Since her husband's death, 28-year-old photojournalist Eliza's only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she's determined to make a name for herself.

But when Eliza arrives at the palace she meets Jay, the Prince's handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families - and society - think otherwise. Eventually they will have to make a choice between doing what's expected, or following their hearts. . .


1

The princely state of Juraipore, Rajputana, in the Indian Empire

November 1930
For just a moment Eliza caught a glimpse of the façade of the castle. It shocked her, the way it shimmered – ​a mirage conjured from the desert haze, alien and a little frightening. The wind stuttered and then picked up again and, for a moment, she closed her eyes to shut out this trembling extension of the sand. No matter how far from home, and without the faintest idea of how things would work out, there could be no turning back, and she felt the fear in the pit of her stomach. At the age of ­ twenty-­ nine this would be her biggest commission since setting up as a professional photographer, though it was still unclear to her why Clifford Salter had chosen her. However, he had explained that she might be better placed to photograph the women of the castle, as many were still nervous of outsiders, and especially men. And the Viceroy had particularly asked for a British photographer to guard against conflicted loyalties. She would be paid monthly, with a lump sum for successful completion.
She opened her eyes on air thick with the glitter of sand and dust, the castle hidden from view once more, and above her the seamless blue sky, merciless in its heat. The escort leading her towards the city twisted round to tell her to hurry. She bowed her head against the stinging and climbed back into his ­ camel-­pulled cart, clasping her camera bag to her chest. Above all else she must not allow sand to damage her precious cargo.
Closer to their destination she raised her eyes to see a fortress stretching across the mountain top, dream-like. A hundred birds swooped across the lilac horizon, threads of pink cloud tracing delicate patterns high above them. Almost drugged by the heat, she struggled not to fall victim to the enchantment; she was here to work, after all. But if it wasn’t the wind calling up the distant past as she hunched up against it, it was her own more recent memories.
When Anna Fraser had contacted Clifford Salter, a wealthy godson of her husband’s, she had thought that with his connections he might find her daughter a position as a clerk in a solicitor’s office in Cirencester, or something of that kind. She had hoped it would prevent her daughter from trying to make her way as a photographer. After all, she would say, who wants a woman photographer? But someone did and that had been Clifford, who said she’d be ideal and would suit his purposes perfectly. Anna couldn’t object. He was the British Crown representative, after all, and answered only to the Rajputana Chief Political Officer or AGG, who exercised indirect rule over all ­ twenty-­ two princely states. He, the Residents, and the minor political officers from the smaller states all belonged to the political department directly under the Viceroy.
So now Eliza faced a year inside a castle where she knew no one. Her commission was to photograph life in the princely state for a new archive to mark the seat of British Government finally moving from Calcutta to Delhi. The building of New Delhi had taken much longer than expected, and the war had delayed everything, but now the time had finally arrived.
She’d heard her mother’s warnings about the sufferings of the people and saw that outside the huge walls of the castle urchins played in the dust and dirt. She spotted a beggar woman sitting ­ cross-­ legged near a sleeping cow and gazing ahead with empty eyes. Beside her bamboo scaffolding leaning against a high wall blew perilously, with two planks of wood coming loose right above a naked child squatting on the ground beneath.
‘Stop,’ she called out and, as the cart rumbled to a standstill, she leapt out, just as one of the planks began slipping from its tethers. With her heart pounding, she reached the child and pulled him from harm’s way. The wood fell to the ground and splintered into several pieces. The child ran off and the cart driver shrugged. Didn’t they care, she wondered, as they climbed the ramp.
A few minutes later the cart driver stood arguing with the guards outside the fortress. They were not obliging, even though he’d shown them the papers. Eliza looked up at the forbidding frontage, and the enormous gated entrance wide enough for an army to pass through; camels, horses, carriages too. She’d even heard that the ruler had several cars. Meanwhile the vehicle she had been travelling in had broken down, and continuing by camel cart meant Eliza was tired, thirsty and coated in dust. She could feel it in her sore eyes, and in her itching scalp. She couldn’t help scratching, though it only made things worse.
Eventually a woman appeared at the gates, a long wispy scarf covering her face and revealing only her dark eyes.
‘Your name?’
Eliza told her who she was and shaded her own eyes against the piercing afternoon sun.
‘Follow.’
The woman nodded at the guards, who looked disgruntled but allowed them both through. It had been eighteen years since Eliza and her mother had left India for England. Eighteen years of ­ ever-­ decreasing possibilities for Anna Fraser. But Eliza had made the decision to be free. To her it seemed like a second birth, as if a hidden hand had brought her back, though of course there was nothing hidden about Clifford Salter. He might have been more attractive had there been, but a more ordinary man it would be hard to find. Thinning sandy hair and moist, myopic pale blue eyes reinforced the impression of dullness, yet she was indebted to him for arranging this job for her in the land of the Rajputs, noble warrior clans in this cluster of princely states in the desert region of the Indian Empire.
Before walking through a series of glorious archways, Eliza dusted herself down as best she could. A eunuch led her through a maze of tiled rooms and corridors to a small vestibule. She’d heard of these castrated men in feminine dress and she shuddered. The vestibule was guarded by women who stood glaring at Eliza as they barred her way through wide sandalwood doors inlaid with ivory. When, after some explanation from the eunuch, they eventually allowed her to pass, they left her to wait alone. She glanced around at the room, every inch of it painted in clear cerulean blue with the patterns picked out in gold. Flowers, leaves, filigree scrolls rose up the walls and trailed across the ceiling; even the stone floor had been carpeted in matching blue. Although the colour was bright, there was a delicate beauty about the overall effect. Wrapped up in the blueness she felt almost a part of the sky.

Sunday, 21 February 2016

Emma's Review: The Silk Merchant's Daughter by Dinah Jefferies

Reviewed by Emma Crowley

1952, French Indochina. Since her mother's death, eighteen-year-old half-French, half-Vietnamese Nicole has been living in the shadow of her beautiful older sister, Sylvie. When Sylvie is handed control of the family silk business, Nicole is given an abandoned silk shop in the Vietnamese quarter of Hanoi. But the area is teeming with militant rebels who want to end French rule, by any means possible. For the first time, Nicole is awakened to the corruption of colonial rule - and her own family's involvement shocks her to the core...

Tran, a notorious Vietnamese insurgent, seems to offer the perfect escape from her troubles, while Mark, a charming American trader, is the man she's always dreamed of. But who can she trust in this world where no one is what they seem?

Amazon links: Kindle or Hardcover

Tuesday, 1 September 2015

Guest Book Review: Dinah Jefferies - The Tea Planter's Wife

Reviewed by Emma Crowley

Distant and brooding, Laurence spends long days wrapped up in his work, leaving his young bride to explore the plantation alone. It's a place filled with clues to the past - locked doors, a yellowed wedding dress in a dusty trunk, an overgrown grave hidden in the grounds, far too small for an adult...

Gwen soon falls pregnant and her husband is overjoyed, but she has little time to celebrate. In the delivery room the new mother is faced with a terrible choice, one she knows no one in her upper class set will understand - least of all Laurence. Forced to bury a secret at the heart of her marriage, Gwen is more isolated than ever. When the time comes, how will her husband ever understand what she has done?

Amazon links: Kindle or Paperback

Tuesday, 22 July 2014

Guest Book Review: Dinah Jefferies - The Separation

Reviewed by Emma Crowley

What happens when a mother and her daughters are separated; who do they become when they believe it might be forever?

1953, the eve of the Cartwright's departure from Malaya. Eleven-year-old Emma can't understand why they're leaving without their mother; why her taciturn father is refusing to answer questions.


Lydia arrives home to an empty house - there's no sign of her husband Alec or her daughters. Panic stricken, she embarks on a dangerous journey to find them through the hot and civil-war-torn Malayan jungle - one that only the power of a mother's love can help her to survive.


 Amazon links: Kindle or Paperback

Tuesday, 20 May 2014

Debut Spotlight: Dinah Jefferies

This Thursday is another busy day in the publishing world with lots of fantastic books being published including The Separation by today's debut spotlight guest, Dinah Jefferies.

I was born in Malaya in 1948 and moved to England at the age of nine. In 1985, the sudden death of my fourteen year old son changed the course of my life, and deeply influenced my writing. I drew on that experience, and on my own childhood spent in Malaya during the 1950s to write my debut novel, The Separation. Memories of guns piled high on the hall table when the rubber planters came into town for a party, the colour and noise of Chinatown where I was taken by my Chinese amah, the houses on stilts, and the lizards that left their tails behind.

Now living in Gloucestershire with my husband and slightly overweight Norfolk terrier, I spend my days writing, with time off to make tiaras and dinosaurs with the youngest generation.

I've lived in San Gimignano in Tuscany while working as an au pair for an Italian countess, and also lived in a 'hippy' rock 'n' roll commune based in an Elizabethan manor house, but I started writing when I was living in a small 16th Century village on a mountain top in Spain. I was homesick and on a visit to England it was my mother's Malayan photograph album that stirred the memories, I started to think about the past, and that led to The Separation.